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iRoberto Zorzi is to be considered a highly unique character on the Italian music scene: in part because, as far as I know, there are no other guitarists named Zorzi (although there are plenty of Roberto's, but we won't go into that). What matters most is how he plays his guitar, where he chooses to play, the musical acquaintances he has and the number of excellent restaurants he has taken me to.

Well, enough of the idle banter, let's get down to the more serious stuff. Roberto, born and raised in Verona and a passionate lover of improvised music (to such an extent that he took part in the organisation of the Verona Jazz Festival) is in the fourth decade of his life (and is often heard to say that he would like to remain there for a very long time) and can boast having collaborated with a very worthy set of musicians who play music without frontiers. In recent years he has involved high calibre people such as Tim Berne, Bobby Previte, Elliot Sharp, Fred Frith, Ernst Rejiseger, Trilok Gurtu, Franco D'Andrea in unimaginable projects, where the love for spontaneous creation and for electronic music has often been coupled with reminiscences of the formative years, unpredictably influenced by the ecumenical rock of King Crimson, the blues rock of Cream and Led Zeppelin, of Pink Floyd: visionaries of Ummagumma.

The unison of these great musicians of the British music scene was extremely influential thanks also to the long lived love affair with Ornette Coleman. Other sources of inspiration have become Golden Palominos, Massacre, Henry Kaiser (with the help of whom Roberto Zorzi has deepened his knowledge of the creative use of digital effects with the guitar). As a member of the band NAD Niù Abdominaux Dangereux, Zorzi has participated in the recording of the album Ghosts. The album already showed mature signs of his poetry, which is in tune with the other members of the band and is emphasised by such guests as Sharp, Frith, Kaiser and Denardo Coleman. Zorzi has brought to the recording studio a very varied group of artists such as Franco D'Andrea, Albert Mangelsdorff, Trilok Gurtu, Ernst Rejiseger, Paolo Damiani and Roberto Ottaviano: The result being the album Similado. "Similado". "The Bang" dates back to 1990. This CD was recorded live during the festival held at Roccella Jonica by a group of artists including Berne, Previte, Mark Feldman, Herb Robertson, Percy Jones and Matteo Ederle. Despite the spontaneity of the event, one can appreciate the effort involved in reproducing the style of progressive rock reminiscent of the sixties: comparing this style with the style influenced by some of the best artists of the New York Music scene.

Following this, we come across the experiences with LA1919, Chris Cutler, Charles Hayward and, once again and with much emphasis, Elliot Sharp. Having widely visited, not only the present but the future of the electric guitar, Roberto has had the excellent idea to take a look at the past too: he has rediscovered the pleasure of acoustics and the sublime roughness of the Delta Blues. All this without excluding from his acquaintances the likes of Paul Lovens, Steve Jansen (ex Japan), Chianura Bros, Gabbiani e Musci, the theatrical actress Elisabetta Fadini, Mike Cooper etc .. Roberto's most recent work finds him with his bosom buddy Henry Kaiser: they are half way between the city and the countryside in a sort of imaginary city outskirts. The landscape is no longer urban but not yet rural, both feelings are nevertheless represented and reprocessed with a very personal touch. What comes next? Up until now his itinerary has been so irregular and varied that it impossible to predict where we will next turn up. It's no use waiting for him or trying to hunt him down: when the time comes, he will track us down and surprise us...

Maurizio Favot translated by Gabriella Jarratt